1996, US, directed by Brian De Palma
Seen again for the first time since the cinema release, as a follow-up to reading David Bordwell's excellent blog post on
visual storytelling. I'm not a big De Palma fan but for the most part the film remains quite fresh nearly twenty years on, unlike many of that year's other big hits (
Independence Day,
Twister,
Jerry Maguire,
The Rock, all of which seem more and more obviously formulaic); the set-piece above is especially good, though the TGV-set finale shows its age a good deal more.
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