1947, US, directed by Henry Hathaway
A gangland tale grounded with location shooting, a little awkward in its narrative construction, which has a stop-start quality, but often very atmospheric, though it's most memorable for an indelible debut by Richard Widmark, as a laughing, and obviously psychopathic, hoodlum -- the scene where he shoves a defenseless woman down a staircase remains shocking today and must surely have been deeply alarming to audiences of the time, even those already immersed in noir.
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