1983, Taiwan, directed by Hou Hsiao-hsien
Very much a film where we see Hou's style coming into being, in particular with respect to the measured pace and the careful framing -- especially in the urban sequences, where the use of doorways (and other openings) or balconies foreshadows his later use of space. However, he also manages to capture a good deal of the vibrancy -- both good and bad -- of urban life: the film is certainly not stately in its progression. The main distraction is a classical soundtrack that's without subtlety -- very obvious choices, though apparently this is a step up from the film's original pop backing.
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