1952, US, directed by David Miller
A film that I'd wanted to see after reading Farran Smith Nehme's very engaging appreciation in Film Comment, this did not disappoint, a noir with a deep vein of high-pitch melodrama. Joan Crawford is excellent in one of the strongest roles of her later career, reacting to the most alarming of circumstances and setting in motion a plot of her own, while she gets particularly good support from Jack Palance, so angular here that he looks like an actor as drawn by Picasso at times.
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