Sunday, April 14, 2019

Police Story 2


1988, Hong Kong, directed by Jackie Chan

A letdown -- the film opens with a summary of the exceptional stuntwork of the first film, and little
that follows has much of the same rhythm and verve.

Sunday, April 07, 2019

Dupont Lajoie


1975, France, directed by Yves Boisset

Boisset had a decent run of films in the 1970s, taking a fairly left-of-centre perspective, with this perhaps his most acid picture, a disturbing portrait of French society and its dealings with outsiders, specifically France's Arab population, though other, nearer neighbours' "true" Frenchness also comes under the microscope as la France profonde defends its interests. Jean Carmet is excellent, and quite disturbing, in an atypical role, while Isabelle Huppert lights things up in a fairly early screen appearance. 

Saturday, April 06, 2019

The Bigamist


1953, US, directed by Ida Lupino

An unusually frank film, for its time, with respect to social mores, focused on a salesman who is attempting to juggle two relationships, though the picture has to stretch credibility a little to accommodate this situation in a manner that keeps the central character sympathetic.While the film seems to start out as a justification for male misbehaviour, as the narrative unspools it becomes something a good deal more interesting, a discussion of how the standard boxes don't work for every situation, and where women, in particular, are likely to fall foul of social regulations that determine acceptable behaviour. The film is quite up front about this, engineering situations in which conversations about stifling convention are reasonably credible, while Lupino makes ample time for us to hear from the two women -- they're anything but subordinate to the story. It might make a good pairing with the slightly earlier That Brennan Girl.

Friday, April 05, 2019

The Jane Austen Book Club


2007, US, directed by Robin Swicord

Monday, April 01, 2019

Mollenard


1938, France, directed by Robert Siodmak

An assured film from Siodmak's French period, though with a somewhat unusual structure -- it almost feels like two different films, albeit both featuring the same protagonist, with the capacious frame a tale of domestic spite and poison and the inset a rousing sketch of colonial skulduggery in Shanghai (a pretty common backdrop at the time). Harry Baur is in fine form as the titular Mollenard, a merchant marine captain facing ruin and shame, a circumstance that brings every dark aspect of his relationship with his wife, played by Gabrielle Dorziat, to the fore. The film rigs the game somewhat, though, by making Dorziat's character so utterly unsympathetic -- the same rather unpleasant trick Renoir played in La Chienne -- that the audience is cast on the side of the criminal by default. Still, the downbeat ending manages to channel something of the spirit of Quai des brumes, made the same year, with the two films also sharing Eugen Schüfftan as director of photography.

Saturday, March 30, 2019

Ant-Man and the Wasp


2018, US, directed by Peyton Reed

Thursday, March 21, 2019

Hollow Triumph


1948, US, directed by Steve Sekely

A neat, small-scale B-noir, with Paul Henreid in good form in a classic Hollywood dual role that wouldn't stand up to a moment's scrutiny out in the real world, and yet it works, partly because the film is so committed to its inevitable, utterly downbeat conclusion. There's also some especially fine cinematography by John Alton, deep in an exceptionally productive and successful period of his career, with this film released around the same time as the equally striking T-Men and He Walked By Night.

Index

List of all movies

Most of the images here are either studio publicity stills or screen captures I've made myself; if I've taken your image without giving you credit, please let me know.

About Me

Boston, Massachusetts, United States