Voyage à travers le cinéma français

2016, France, directed by Bertrand Tavernier

For anyone with even a passing interest in classic French cinema, this is a treasure -- Tavernier is an exceptional guide to the (French) films that marked him, while also setting them in their broader cinematic history. In addition to clips from pictures ranging from the iconic to the obscure (such as Jacques Becker's early film Dernier atout), there is some wonderful interview footage -- including a memorable sequence when director Henri Decoin performs a note-perfect impression of Jean Gabin, with whom he worked on two impressive films.

The Lion King

1994, US, directed by Roger Allers and Rob Minkoff

Lured

1947, US, directed by Douglas Sirk (aka Personal Column)

A film I last saw nearly thirty years ago, though Lucille Ball's performance lingered long in the memory, and her work captivated me anew here. By contrast, I had completely forgotten that a personal favourite, George Sanders, was also present, but then again Ball wipes the floor with pretty much everyone on this occasion. I didn't quite buy the picture, though, as an example of Sirk-as-auteur -- it comes across as an exceptionally competent 1940s film that has relatively little in common with the director's distinctive 1950s work. 

Mary Poppins

1964, US, directed by Robert Stevenson

I hadn't seen this since childhood, and watched it with my kids on a very rainy school holiday afternoon. They absolutely loved it, and I took great pleasure in hearing them ask, in this age of digital wizardry, how did they do that?! There's an unexpected, and perhaps underestimated, power in a little straightforward visual trickery. Personally, I also enjoyed the choreography, in particular for the marvelous chimney sweep sequence. I'm hardly the first to comment on it, but what on earth was going on with Dick Van Dyke's "accent"? Didn't they have dialect coaches in 1964?!