
Soul Kitchen has the same urgency, the almost frenetic pacing, of Fatih Akin's previous work, but where the whirlwind spun in destructive directions in Gegen die Wand, here the energy is positive, with the sense that good things can happen almost overnight. There's a romance, and a winning naivete, that harks back to Akin's earlier romance Im Juli, with here a hint that perhaps multiculturalism still has something to offer for the immigrant in Germany; that's probably placing more weight, though, than really belongs on a film which narrates an ecstatic triumph over the odds.
No comments:
Post a Comment