1952, Argentina, directed by Carlos Hugo Christensen
Based on Cornell Woolrich again, writing as William Irish, and this time adapted in Argentina -- a country previously unknown to me as a purveyor of noir pictures. The same director made another Woolrich adaptation around the same time and indeed the original intention was apparently to do a triptych but they expanded the third story leaving this film with just two entries, both very fine: the camerawork is spectacular at times, showing that noir put down deep roots elsewhere, too, and both stories have a strong twist in the tail.
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